Back To The Island 2022

January 5 – 10, 2022

A week ago today I was enjoying my last evening in Jamaica, relieved to have received a negative Covid test to be able to fly back to the US in the morning. Today, I’m sitting in my bedroom in a snowy Nashville, still in disbelief that this year’s trip actually happened. If you’re tired of hearing about Covid, feel free to skip down to paragraph three. Right now, the travel requirements for Jamaica are that you have to have a negative Covid test 72-hours before you arrive, regardless of vaccination status. I’m happy to report that I’m triple Pfizered, but that doesn’t mean I wasn’t on edge for an entire 6 weeks prior to the trip. I wore my mask everywhere, including in my own house, starting around mid-December, and spent New Year’s Eve alone in my bedroom while my roommate had some friends over.

Maybe I was being overly cautious, but between Thanksgiving, Christmas, and New Year’s, I dodged two roommates, three family members, and more coworkers than I can keep track of who had all tested positive. I was beyond relieved when both my PCR and Antigen tests came back negative and I was clear to head to Jamaica. Even then, I was still worried about the possibility of any of my friends or Hanson testing positive. But eventually, my friends’ tests started coming in one after the other, all negative, and then all three Hansons were on my flight into Montego Bay, which finally put all my worries aside for a few days.

I always opt to travel to Jamaica a day before the event starts because by the time you get through customs, baggage claim, and a 90 minute shuttle ride, it ends up being evening by the time you get to the resort. We finally checked in, dropped our luggage in our room, and then my friend gave me a quick tour of the Jewel. This was my 4th BTTI, but my other three years were at the Melia. I now understand why everyone liked the Jewel so much better: the staff was friendlier, the layout just makes more sense, the beach was 100 times better, and in my opinion, the food was better. The Level rooms at the Melia were pricier, but they were nicer than the rooms at the Jewel, and the Level Lounge had better quality alcohol, but that’s really all it had going for it. We then changed into swimsuits under dresses, grabbed some teppanyaki, hot tubbed, and called it a day.

I inadvertently found myself falling into a daily routine on the island. I’d wake up, put on a swimsuit and coverup, get a cold brew, and go to breakfast. Then I’d grab a frozen drink, get in the ocean and float around until the fish started nibbling. Then I’d go to one of the pools, get another frozen drink and float around there. I’d get a snack from the pool restaurant and a diet coke and bourbon and continue to sit around in the water. Eventually I’d get out and dry off in time to walk over to the stage for a solo show. After that, I’d freshen up, grab dinner, and watch the main show. Basically, I was living my best life as only a half-mermaid Hanson fan can.

I thought each show was far better than the past few BTTIs, despite missing their backup guitarist/keyboardist Demetrius. (Rumor is he didn’t have Covid, but had marked on his travel form that he had been exposed, and thus wasn’t allowed into Jamaica.) They started the first show off with a cover medley of “Three Little Birds” and “Stir It Up”, and then proceeded to play some of the non-single favorites such as “Dance Like You Don’t Care”, “Sunny Day”, “Dancing In The Wind”, and “Tearing It Down”. One Against The World song made the cut on night one, and it happened to be my favorite of the seven, “Only Love”. I just got my first tattoo ever of this song back in November, so it was really special to hear it for the first time since then.

I don’t know if this was always the plan, or if it was a last-minute switch after losing Demetrius, but night two was all acoustic. I unexpectedly ended up front row for this one, which I think made it that much better. I wonder if I would have found it to be a bit too mellow otherwise, but I really enjoyed it. They pulled “River” out of the vault, complete with a mashup of Hootie and The Blowfish’s “Only Wanna Be With You”, an acoustic “Runaway Run” never disappoints, and we heard a couple of my favorites “No Rest For The Weary” and “Tonight”.

The final full-band show was all rock no stop, and I loved every minute of it. I could go on and on (no pun intended) listing almost every song they chose as a favorite, so instead, I’ll just let you read the whole setlist:

https://www.hansonstage.com/setlist.php?show_id=1425

Zac started his solo show out with “Change”, which had previously only been played on 2021’s BTTI stream from 3CG. He also played us a brand new (well, brand new to us at least) song called “Magic Man”, and I’m curious if it’ll end up on the recently announced upcoming Red Green Blue, but it sounded to me more like something that would be found on a members’ EP. And speaking of members’ EPs, Zac played 10 songs during his solo set and 8 of them were members’ only! This is the kind of content I like to hear during these sets, so Zac got an A+ from me.

I need to be honest with you here about Isaac’s solo set: I wanted to be able to say that I watched at least part of one of the shows from the ocean, so I chose Isaac’s solo set… and I may have had a little too much bourbon in the process. I distinctly remember he played “Soldier”, which hadn’t been played since 1998, and he played “Begin Again” for the first time, which I love. Beyond that, I had to resort to Hansonstage for the rest. There was a gorgeous sunset happening during his set which took me back to The Albertane Tour. I saw them at an amphitheater, and to this day I have a vivd memory of 18-year-old Isaac telling us all to turn around and look at the sunset as he began playing “More Than Anything”.

Taylor’s solo set was, to me, the best of the three this year. He started with one of my favorites, “Feeling Alive”, pulled “Out Of My Head” from the unreleased-never-been-played*-but-everyone-knows vault, gave us a hint about the now-announced Red Green Blue album by playing its yet-to-be-released first single “Child At Heart”, covered “Dancing In The Street”, and ended with last year’s new song, “Sound Like Joy” which I believe was supposed to be released on some sort of Black Wallstreet Music Project. (What ever happened to that?)

Overall, there was a really great mix of old favorites, unreleased, brand new, and new covers, and everything sounded really well rehearsed too. Aside from the couple new songs, if I had to pick a highlight it would be hearing “Begin Again” and “Change”. Without having Hanson Day in 2020, we didn’t get to hear all of CBIB live, and I had resigned myself to it being the forgotten EP, never to be heard of again. I didn’t go to the July shows last summer, so I still need to hear “Dressed In Brown Eyes”, while “Miss You Like Crazy” and “All I Know” still haven’t been played live. Maybe there’s hope for hearing them at Hanson Day 2022.

This year’s special guest was a local Jamaican band named Raging Fyah. From what I saw on Facebook, people had mixed reactions to this news. I for one was really excited. I don’t know if this was just a result of Covid and it being harder to find a US band willing and able to travel in, but I had actually suggested getting a local Jamaican band on my feedback the past few years. We get to hear Hanson’s friends on almost every tour, so why not take this opportunity to hear something different. And let me tell you, they did not disappoint! I had such a great time listening to them, and everyone seemed to have fun dancing around. I hope we get more native bands in the future, wherever Back To The Island takes us.

This year in general felt different than previous years just due to the ever-present concern about Covid, and this was hit heaviest when they announced that they were cancelling our photos with the band. I respect the choice they made, but I do wish they had announced that decision prior to our arrival in Jamaica. They are making up for it by giving each of us a free ticket and a meet and greet to a show of our choice on the upcoming Red Green Blue Tour, and I think that’s a fair trade-off. For this same reason, there wasn’t any interaction with the band outside of two socially distanced rounds of Family Feud with Isaac and Zac, and a DJ Taylor Up On An Elevated Ledge Pool Dance Party.

Family Feud was split into four teams this year: a yellow Team Zac and red Team Isaac night one, and a blue Team Zac and green Team Isaac night two. I was on yellow Team Zac, and my friends and I ended up being the very first team called up… which was unfortunate as I had too much to drink to be climbing onto a stage without stairs and thinking quick on my feet. A friend captured a very embarrassing video in which I was asked: Name a bad job for someone who is forgetful. I immediately hit the buzzer, and then my mind went blank. Isaac proceeded to yell at me to answer, so I blurted out my own profession (accountant), which was not on the list. The top answer ended up being doctor. I’ll spare you the video, but please enjoy this photo of me facepalming while trying to think of an answer while Isaac is yelling at me. Our team was able to redeem ourselves with our second question: What is something a musician buys when they hit it big.

 📸: Laura Thorp

Despite the lack of interaction and photos with the band, this was probably my favorite Back To The Island that I’ve been to, save for maybe 2019 which was my first year that didn’t get ruined by four days of monsoon. I do think this year objectively might have been better than 2019 (other Islanders, I’d love to hear your thoughts!), but 2019 I was just so overly excited about everything because it felt like my first real time going. As a 4th year attendee, I begrudgingly packed a bag with room to bring home an ugly, red visor and was pleasantly surprised to see that this year they switched to a pretty blue full cap that I will actually wear! Here’s hoping for a smooth, rain-free, pandemic-free 2023 Back To The Island where I can finally receive the coveted 5th year gift of a passport cover and luggage tag, and I hope any and all future BTTI DJ Taylor dance parties take place in the pool. In the meantime, you may now return to your regularly scheduled RGB tour planning… will I see you on the road?

*”Out Of My Head” was actually played one other time, over 20 years ago.

ATW² + Underneath + The Walk

August 6-8, 2021

The Travel

In my experience, some of the best adventures and subsequent memories start with the phrase, “I wasn’t going to go, but…” and this weekend was no exception. When Hanson first announced this 4-month ATW+ series, I decided no thank you to Oklahoma in August. (Though to be honest, it wasn’t any different than Tennessee in August.) This decision was cemented after I had a work event scheduled for the day of the Friday show.

But then.

But then I got to work on Thursday morning and was told our event needed to be rescheduled. I messaged a couple of my friends and said that now that there was no work event, I wished I was going to Tulsa. As all good Hanson friends do, they reminded me that technically it wasn’t too late, and one of them had space for me in her hotel room. This wasn’t my first last-minute decision to go to a Hanson concert two states away, but it was the first time it involved booking a last-minute flight… I bought my plane ticket 27 hours before departure time… and I only told the one friend who had a hotel room, intending to surprise the rest of my friends.

I still had a work meeting to go to on Friday morning, and there was only one flight option that left late enough for me to not miss the meeting and still arrive early enough for me to get to the show on time (read: landing at 5:48pm for a 8pm show). I arrived at the Nashville airport 90 minutes before my flight, but as soon as I stepped out of the Uber I got an alert that it was delayed 15 minutes. I’ve had worse delays, but this took my layover time down from 50 minutes to 35 minutes. By the time I got to my gate, we were delayed an additional 15 minutes… so now I had a 20 minute layover at DFW, which is not a small airport, and at the time the airline app was telling me I’d need to get from the A terminal to the C terminal.

While waiting for my flight, a woman walked up to the gate agent and started asking her questions. I couldn’t hear their exchange, but from their body language I could tell things were not okay. I assumed she was just stressed or upset about the delay, and the agent eventually asked her to please have a seat. She came and sat next to me, reeking of alcohol, and started ranting to me about the agent being rude to her. A few minutes went by, and she went back up and started asking the agent some more questions, and was again told to please sit down.

After she said back down next to me, a manager came out to talk to her. The woman kept saying she needed to get to Austin, insisting she was “okay to drive”, and that they could take her “blood alcohol” because she doesn’t drink. Thankfully, they told her she would not be allowed to get on the plane and that she could try again later in the day. She stormed off saying she’d just go to another airline, but I’m guessing that didn’t work out too well for her either. All I could think was that if they had let her on the plane and she had started acting up mid-flight, I would have been grounded somewhere and most definitely would not have been at the Friday concert.

Once we got off the ground, most of my flight to DFW went smoothly, other than half the plane being stressed about making our connecting flights. But toward the end of the flight, the woman next to me started having a panic attack and kept saying she was going to throw up. I felt for her, but was scared for myself that she would get sick – thankfully, she did not. Then, as we we’re descending, I heard a thud followed by people yelling. That is a terrible thing to hear when a plane is going down, so I immediately started thinking the worst. As it turns out, someone’s cat managed to get out of its carrier, and the owner was able to get it back in. When we landed, I noticed we were taxiing to gate C, not A like the app had told me, and I could see the plane I needed to be on to get to Tulsa. But then we stopped just shy of the jet bridge – and sat there waiting for a good 10 minutes because there was a baggage cart blocking it.

I only had to get from C15 to C8 to catch my flight, but I still literally sprinted through the airport and got there while they were boarding group 4 – and I was group 6. The flight from DFW to TUL is a short one, and I let my one friend know that I had made my connection and would be there as planned. I’m one who typically gets to shows early – even if they’re seated – so walking off the plane exactly 2 hours before show time was a new one for me. My friend was already at the venue when I landed (which I suspected she would be), so I grabbed an Uber, dropped my luggage off at the hotel, and took a Lime scooter to the venue. All the hassle was worth it when I got to surprise my friends by showing up at the venue just a few minutes before doors.

ATW+ Underneath

I’ll be honest, one thing I don’t like about “themed” concerts is that it usually leaves little room for set list surprises. However, the good part of that theme being one album+ is that there’s a good chance they’ll play some favorite songs that are rarely heard live. One of those songs for me is “Dancing In The Wind”, although I did hear it a couple times last year. It was a great opener for this show, but I do wish Taylor would pull the electric guitar out for it like he used to back in the day. If you’re reading this blog, you probably know the story behind Underneath. (If you don’t, and you’d like to, the documentary Strong Enough To Break is available for free on YouTube, though it’s broken into several parts.)

Despite knowing what they went through during the season of recording this album, and on top of knowing all these songs by heart for 17(!) years, I still never really realized how depressing some of these songs are until I heard them live this weekend, in non-album order. Putting “Underneath” and “Misery” back-to-back later followed by “Believe” and “When You’re Gone” back-to-back was a lot to process. I love all those songs, but I was thankful for the energy to pick back up at the end as they played the four released Against The World tracks. Until this show, I had only previously heard “Annalie” and “Don’t Ever Change”, but I didn’t know “Don’t Ever Change” well enough at the time. “Don’t Ever Change” and “Against The World” both sound like songs that will become future live staples, and I hope “Only Love” sticks around for a long time.

ATW+ The Walk

The Walk has always been my favorite Hanson album, and lot of the songs are ones I haven’t heard live in quite some time. That alone is reason enough that I did almost consider attending these shows from the day they were announced, and this is the one I was most excited about once I did finally decide to go. The Walk Tour in the spring of 2008 wasn’t the first time I saw Hanson live, but it was the first time I really started to “do tour” and go to multiple shows in a row. So maybe it’s nostalgia talking, but I don’t think any song can beat “Great Divide” for the best set opener. As soon as the first bar dropped, I started crying happy tears.

Maybe it’s because it was my first front row general admission show since Covid (and first front row GA in Tulsa), but I think it was more than that. Part of what keeps me coming back for more (pun absolutely intended) is that you never know what show is going to do it for you… but every once in awhile that feeling pops up. I don’t mean this to say I don’t have fun at every show (I wouldn’t keep going if I didn’t), it’s just that some of them have some sort of way… the band’s energy and the crowd’s energy match in a unique way and everything is just surreal. After talking to my friends, I definitely wasn’t the only one who felt it this time, and many of us have decided this was one of the best Hanson concerts we’ve ever been to. Since it’s not on Against The World or The Walk, I wasn’t expecting to hear “A Minute Without You”, let alone as Isaac’s solo choice. It’s a song I’ve heard live almost as many times as “MMMBop”, but the crowd sang along so loudly that it caught Isaac off guard and he forgot what he was singing half-way through the song.

I absolutely loved getting to hear some rare songs like “One More” and “Your Illusion”, and The Walk also has some old staples that haven’t been played much lately like “Blue Sky” and “Running Man”. I’d be remiss if I didn’t make a (probably insensitive) joke about Hanson playing “Something Going ‘Round” during a pandemic, but let’s just say I don’t have it (but maybe I don’t know it), and I definitely don’t need it. And we could get this herd immunity thing in motion if you’d stop acting tough and get vaccinated. And that’s all I’ll say about that.

The Moral Of The Story

If you’re on the fence about doing something, no matter how last minute the planning is… I highly suggest you just do the thing. You never know what concert might be your new favorite, or if whatever your version of a Hanson concert is will be your favorite of whatever it is. Buy the ticket. Book the flight. Run through the airport. Make the memories. Blog about it later so you don’t forget when you’re old and start losing all of your hair.

Only Love Is Gonna Save Us Now

When Hanson announced their new project Against The World would be released one song at a time, I wasn’t sure how I was going to do my blog review. Would each song get its own post? Would I wait until November when they’ve all been released? As you may have noticed, I finally settled on one blog post for all the songs combined, but that I would update that post each month as songs are released. After all, I usually only have a little snippet to say about a song anyway.

But then I heard the third track, “Only Love”, and I knew this one was going to use a lot more words than the first two songs. I decided to keep my review brief for the Against The World blog, while also making a separate post to go on a deep dive for this one.

Whenever I first listen to a song, I mostly hear how it makes me feel overall, not paying much attention to the specific lyrics. This song was an exception to that. There were several lyrics that jumped out to me, and then I listened to the song, on repeat, for my entire flight to Chicago. The first line that hit me was “she headed south, without a care, without a clue, didn’t give a damn.” What, you might wonder, could be so significant about that lyric? Well, it’s me. I’m coming up on my 15-year “Nashiversary”. I grew up in small town Michigan and went to college in small town Indiana. Then, that summer after college, I packed up my Camry, had $500 to my name, no job, and no place to live, and moved south to Nashville. I never imagined I’d be here for so long, but here we are a decade and a half later, and I have no intentions of leaving anytime soon. This lyric hits home because not only did I head south, but looking back, at a mere 23 years of age, I certainly had no cares, no clues, and no damns to give.

But as much as that lyric hit home, it wasn’t the one that made me realize this song was going to need a full blog. It was the third verse that stood out to me the most:

I know all too well my demons, and broken dreams, and running head-long into false plans
I get bogged down in self-doubt, dying inside, bleeding out, yeah
So whether hipsters or holy-rollers, we find ourselves holding court on our knees
But broken won’t define you, ’cause love can always find you
Only love is gonna save us now

Hanson – “Only Love”

I was immediately reminded of a book I read several years ago by Tim Keller, The Freedom of Self-Forgetfulness. It’s a short little booklet that only took me about 20 minutes to re-read before writing this blog. The premise of the book is that true humility is not thinking less of ourselves, but rather thinking of ourselves less. But what this song reminded me of was how Keller says we can get to a place of thinking of ourselves less. He references 1 Corinthians 3:21-4:7, in which Paul says “I care very little if I am judged by you or by any human court; indeed, I do not even judge myself.” In Keller’s book, he runs with this analogy. He says that if our self-esteem is too high and we are prideful, we have put ourselves on trial and found ourselves innocent. And on the flip-side, if we find ourselves guilty, our self-esteem will be too low. So, what then? To quote Keller:

Here is Paul’s answer: he is out of the courtroom, he is out of the trial. How? Because Jesus Christ went on trial instead… As our substitute. He took the condemnation we deserve; He faced the trial that should be ours so that we do not have to face any more trials. So I simply need to ask God to accept me because of what the Lord Jesus has done. Then, the only person whose opinion counts looks at me and He finds me more valuable than all the jewels in the earth.

Tim Keller – The Freedom Of Self-Forgetfulness

I know not everyone reading this blog has the same belief system, but this is what I believe is true: that “only love is gonna save us now”. And in fact, it already has.

Hanson Day 2021

Tulsa, Oklahoma

May 20 – 24, 2021

If you’ve ever had the chance to attend Hanson Day in the past, you’ll know that the extended weekend is typically a whirlwind packed full of events: between multiple concerts, karaoke, the I ❤ Hanson store, the art gallery, the dance party, painting, bowling, and lines upon lines, there’s hardly time to eat or sleep. You can’t go anywhere in the Arts District or Brookside neighborhoods of Tulsa without running into a handful of fans, and if you stay for Hop Jam, you’ll hardly be able to make your way down Main Street amongst all the beer and music enthusiasts.

This year, however, was not that. I still remember that day last year when news broke that Hanson Day 2020 was going to be postponed until 2021. I think we all new it was coming, but at the time I never would have guessed that Hanson Day 2021 would also be affected. The silver lining though is that there was enough notice this time around (see what I did there?) for Hanson to come up with really great back-up plan.

The Events

Hanson put together a full week of streaming events, virtual meet-and-greets, and a full week of “pin hunting” on the website. Everything started on Monday when this year’s Fan Club EP, Crossroads, went up in the media player (and, depending on when you join/renew, available for download). I’ll get more into details on the EP in my next blog post, but it was fun to hear all these new songs and digest them via group chat with my friends. Later that night, Hanson went live and took questions from fans about the EP (and also some inevitable questions about The Masked Singer).

On Tuesday, Hanson live streamed their Hanson Time Podcast. The podcast was a new addition to Hanson.net last year as part of the virtual Hanson Day events, but this was the first time it was shared live, and it was also the first time it was shared with video. I’ll digress a bit here because I actually never blogged about this, but I had the chance to interview them on the podcast last summer. My theme was “Good Days” (both the song and the general idea), and it was such a fun opportunity. I’ll admit I was a bit nervous about it, but mostly the nerves were related to the fact that it would be recorded for all members to hear; I would have been so much more nervous had the video of it been recorded as well. But, this episode’s reporter did such a great job and asked insightful questions. It was easily my favorite episode so far.

Wednesday, Hanson went live again, this time to share more about the art in this year’s gallery. Like Hanson Day galleries in the past, there were original paintings from Zac as well as some photographs from Taylor. This year, Zac also painted on a few sets of Russian Dolls, and I thought they were all really cool looking. Because this year’s gallery was virtual, in lieu of selling the art work on a first come, first serve basis, they set up a raffle system on the website’s store. I thought this was a really great idea, and I hope they keep it up in the future. This will make one less line to wait in for those who make it to Tulsa, and will still allow those who can’t travel to have a chance at purchasing the artwork.

On Thursday evening, Hanson posted a mini “making of” documentary about Crossroads. I had to watch this one twice, but only because I was only half-watching it from a Tulsa Driller’s game the first time. I always love the chance to get to peek behind the curtain when Hanson is writing and recording, and I liked this mini-doc style better than having several 2-3 minute clips like we have had in the past.

Friday was the one-year-later 20th anniversary This Time Around acoustic concert, followed by a virtual DJ Taylor dance party. On Saturday, we had the main Hanson Day concert, a brief promo video for their new project Against The World, and then they wrapped up the week with a “Night Cap” live stream on Sunday where they played a round of Pictionary with some fans, and took questions as well.

The Concerts

Of the two concerts for this year’s Hanson Day, I was much more excited about the Saturday show. When given the choice between album songs that get played at most shows or the more rare members’ tracks, I’ll always choose the latter. That said, I went into the This Time Around Acoustic Show with low expectations…. and I was blown away! Not only was it a solid performance of every song, they also mixed it up and played some of the more common songs (“If Only”, “Hand In Hand”, etc) in slightly different styles (more different than just being acoustic). They also treated us to some rare B-sides: “Lonely Again” and “Smile.” Unfortunately though, I had to deduct quite a few points from this show after my friend told me she saw “Bridges of Stone” listed as a 3rd encore song, which they ended up not playing.

One of my favorite things about the main Hanson Day concert each year is that we get to hear that year’s EP played in full, along with quite a few of the back catalogue members’ songs. I was really bummed last year when we didn’t get to hear the songs off Continental Breakfast In Bed since Hanson Day was cancelled, so I was hoping they’d make it up to us this year. Zac did play “Good Days” (which he had also played at one of the shows this past fall), but that was it. I suppose that if they had done Crossroads and CBIB, it would have been a lot of new material to learn in addition to re-working the TTA songs, plus it would throw off the number of solos during the show. I was especially disappointed when Taylor sat down at his piano for what I thought was going to be “All I Know” and instead it was the-song-that-shall-not-be-named-because-it-makes-all-my-friends-cry-and-not-in-the-good-way. In fact, only 31% of the show was members’ only songs, compared to the 70% from the Hanson Day concerts in years past. (Shout [it] Out to Hansonstage for the stats.) Despite the setlist not meeting my expectations, it was still a really great concert. They played everything so well, it was high energy, and everything about it is why “we keep coming back (yeah we keep coming back).”

The Tulsa Life

Being in Tulsa this time felt so much different than any other Tulsa trip I’ve been on. The trips over this fall and winter were so quiet compared to the typical Hanson Day weeks, but this weekend felt like a weird mix of the two. There was an Ironman Triathlon on Sunday which brought in 2,500 participants plus all their friends and family who came to support them. It made the city feel just as busy as when there’s Mayfest, the Blue Dome fest, Hanson Day, and Hop Jam, but there was still only about 1/10th the typical number of Hanson fans. My friends and I spent most of the day Sunday standing at the corner of the finish line cheering people on. I’m not a sports person, but that day I learned that running is my favorite spectator sport. It was so much fun to watch the runners’ facial expressions change and their energy pick up as they heard people cheering for them and then rounded the corner and the finish line came into sight. A few of them got emotional, and so, in turn, did I.

These past few months of shows have been unique. Even though a lot of my friends have been to the same shows that I have, we were actively not mixing our smaller groups as a Covid precaution. However, I got to see more of them this time now that we’re all vaccinated. (Please, if you haven’t yet, get vaccinated. Science is real, it’s not a new technology, and it does not contain the coronavirus. The long-term effects of getting even a mild case of Covid are unknown, and there’s only one way we’ll ever get back to normal. *Steps off soap box*) It’s been nice to have down time and explore more of the city, but I’m looking forward to hopefully having a normal Hanson Day and Hop Jam in 2022.

Perennial Live: A Socially Distanced Concert Series

Tulsa, Oklahoma

November 4-7, 2020

The day after Hanson’s October streaming concert series, Live and Electric Revisited, they announced the theme for their November series: Perennial Live, named for the double-album public release of some of songs that had previously been available only to fan club members.

While I have mixed feelings about the specific tracks chosen for Perennial, as a general rule some of my favorite Hanson songs are from the members EPs, so I’m always excited for the rare chance to hear them performed live. Typically this only happens at the annual Hanson Day and Back To The Island events, although they occasionally do pull out one or two of the songs at a normal show.

This was my 13th trip to Tulsa, OK. I went twice in college to visit a friend who was attending ORU, I went in 2009 for the recording of the Stand Up, Stand Up EP, and I’ve attended all but one of the official Hanson Day weekends that started in 2011. Each year at Hanson Day, my friends and I have our favorite places we like to visit – after all, we only get to go there once a year. So, being back after just a short 3.5 weeks, I didn’t feel the need to do to the same ole things this trip.

The first place we went on this trip was to the giant oil driller statue, which I hadn’t been to since I think 2012. Then we went and took pictures of the praying hands at ORU, and the last time I was there was in 2004. I guess this was lucky trip number 13 because this was my first visit to Tulsa with absolutely perfect weather. It was sunny with a high of 75 (Relient K, anyone?) and a slight breeze and no humidity. We eventually wandered down to the riverfront where I was finally brave enough to try riding an electric scooter for the first time ever. I was a bit wobbly at first, but now I’m obsessed. (But I don’t see myself riding one around Nashville anytime soon.) My friend and I ended up scooting all over the Arts District between our hotel and Cain’s for the shows.

I have to admit, something felt off during the first show on Thursday night. I know my friends and I were feeling anxious while awaiting results of the presidential election from Tuesday night, and we were refreshing the electoral college map between every song. Maybe the rest of the audience was just as anxious, maybe the band was anxious, or maybe something else was going on, but it didn’t have that energy I get from most Hanson shows. Despite the lack of energy, I absolutely loved the set list. My personal highlights were “Panic In The Streets” (highly underrated), “Down”, “So Lovely”, “Young and Dumb”, “Somebody That Wants To Love You”, and getting to hear the new single “Nothing Like A Love Song” which is physically impossible not to dance to.

Friday’s matinee show was the polar opposite energy wise. My friends and I lucked out and managed to get a front row center table for this show, so I thought maybe we were biased, but other people told me they felt it to, Hanson just absolutely brought it for this show. My highlights for this set list were hearing “Leave The Light On” for only the second time (first time with a full band), “No Rest For The Weary”, and “Coming Back For More”. But the moments that will stick out to me the most were the times I caught Zac laughing at my friends and I repeatedly messing up the “Thinking ‘Bout Somethin'” dance, and laughing at my ridiculous “Been There Before” dance moves, as evidenced below. Zac also got bonus points for playing “Good Days”. While it’s not my favorite song, we missed getting to hear Continental Breakfast (In Bed) live when Hanson Day got cancelled, so now this is the only song from the 7-track EP we’ve gotten to hear live (other than “Everyday” which had been performed several times prior to making the EP cut).

The setlist for the 3rd show was, to me, better than the first night but not as good as the matinee. There was one highlight from this set, and it was Isaac’s performance of “Grace Unknown”. I’ve only heard it performed two other times, one as recent as this year’s Back To The Island, and the emotion he brought to the performance was unparalleled. With the year we’ve all had in 2020, these lyrics hit a little different than they did back in early February, and have been a good reminder to me that maybe now, more than ever, we all need to give, and receive, a little more grace.

Reader: If you’re curious about the COVID-19 precautions that were taken for this trip, I covered them extensively in my Live And Electric Revisited blog.