Perennial Live: A Socially Distanced Concert Series

Tulsa, Oklahoma

November 4-7, 2020

The day after Hanson’s October streaming concert series, Live and Electric Revisited, they announced the theme for their November series: Perennial Live, named for the double-album public release of some of songs that had previously been available only to fan club members.

While I have mixed feelings about the specific tracks chosen for Perennial, as a general rule some of my favorite Hanson songs are from the members EPs, so I’m always excited for the rare chance to hear them performed live. Typically this only happens at the annual Hanson Day and Back To The Island events, although they occasionally do pull out one or two of the songs at a normal show.

This was my 13th trip to Tulsa, OK. I went twice in college to visit a friend who was attending ORU, I went in 2009 for the recording of the Stand Up, Stand Up EP, and I’ve attended all but one of the official Hanson Day weekends that started in 2011. Each year at Hanson Day, my friends and I have our favorite places we like to visit – after all, we only get to go there once a year. So, being back after just a short 3.5 weeks, I didn’t feel the need to do to the same ole things this trip.

The first place we went on this trip was to the giant oil driller statue, which I hadn’t been to since I think 2012. Then we went and took pictures of the praying hands at ORU, and the last time I was there was in 2004. I guess this was lucky trip number 13 because this was my first visit to Tulsa with absolutely perfect weather. It was sunny with a high of 75 (Relient K, anyone?) and a slight breeze and no humidity. We eventually wandered down to the riverfront where I was finally brave enough to try riding an electric scooter for the first time ever. I was a bit wobbly at first, but now I’m obsessed. (But I don’t see myself riding one around Nashville anytime soon.) My friend and I ended up scooting all over the Arts District between our hotel and Cain’s for the shows.

I have to admit, something felt off during the first show on Thursday night. I know my friends and I were feeling anxious while awaiting results of the presidential election from Tuesday night, and we were refreshing the electoral college map between every song. Maybe the rest of the audience was just as anxious, maybe the band was anxious, or maybe something else was going on, but it didn’t have that energy I get from most Hanson shows. Despite the lack of energy, I absolutely loved the set list. My personal highlights were “Panic In The Streets” (highly underrated), “Down”, “So Lovely”, “Young and Dumb”, “Somebody That Wants To Love You”, and getting to hear the new single “Nothing Like A Love Song” which is physically impossible not to dance to.

Friday’s matinee show was the polar opposite energy wise. My friends and I lucked out and managed to get a front row center table for this show, so I thought maybe we were biased, but other people told me they felt it to, Hanson just absolutely brought it for this show. My highlights for this set list were hearing “Leave The Light On” for only the second time (first time with a full band), “No Rest For The Weary”, and “Coming Back For More”. But the moments that will stick out to me the most were the times I caught Zac laughing at my friends and I repeatedly messing up the “Thinking ‘Bout Somethin'” dance, and laughing at my ridiculous “Been There Before” dance moves, as evidenced below. Zac also got bonus points for playing “Good Days”. While it’s not my favorite song, we missed getting to hear Continental Breakfast (In Bed) live when Hanson Day got cancelled, so now this is the only song from the 7-track EP we’ve gotten to hear live (other than “Everyday” which had been performed several times prior to making the EP cut).

The setlist for the 3rd show was, to me, better than the first night but not as good as the matinee. There was one highlight from this set, and it was Isaac’s performance of “Grace Unknown”. I’ve only heard it performed two other times, one as recent as this year’s Back To The Island, and the emotion he brought to the performance was unparalleled. With the year we’ve all had in 2020, these lyrics hit a little different than they did back in early February, and have been a good reminder to me that maybe now, more than ever, we all need to give, and receive, a little more grace.

Reader: If you’re curious about the COVID-19 precautions that were taken for this trip, I covered them extensively in my Live And Electric Revisited blog.

Live and Electric Revisited: A Socially Distanced Concert Series

Tulsa, Oklahoma

October 8 – 11, 2020

Eight months ago, I thought that by now this blog would be full of posts about Hanson’s new album, Against The World, and the subsequent world tour by the same name. Just like everyone else this year, Hanson’s plans were effected by a global pandemic. There were a lot of new directions they could have gone, but the one they settled on was to put the new album on the back-burner, wait until it’s safe to go on a world tour and release the album then.

In the meantime, they’ve kept us all occupied in many ways: in the early spring Isaac hosted solo “Quaranstreams” on Instagram from his home, Taylor hosted a few “Home Jams” with some of his other musician friends, they added two extra tracks to this year’s fan club EP, they did a complete overhaul on their website, and they started a fan club podcast in which members, picked at random, had the chance to interview the band on a given topic. I got the chance to be one of those interviewers, and my topic was “Good Days”, both in reference to the song on the newest EP and the broader, general idea of good days. I never thought interviewing my favorite band via Zoom would be a thing, but it was so much fun, and the guys had a natural way of helping it all seem somewhat normal.

As we all adjusted to a new way of living in 2020, I assumed Hanson would eventually do some sort of official live stream concert with all three members, as opposed to just Taylor or Isaac doing their own things on Instagram. I did not, however, expect a live audience to be involved. So imagine my surprise when they announced they would be doing four live stream concert series from Cain’s Ballroom with a limited, socially distanced, in-person audience!

Deciding to attend any sort of in-person, non-virtual event these days takes a lot of consideration. I had to think through what risks I was willing to take, how those risks would effect other people in my life, what precautions would be set in place at the event, and what extra precautions I would need to take myself in order to feel safe. The event announcement said there would be 45 tables, placed 8 feet apart, with 4 chairs per table. I quickly did the math, which comes to a max total of 180 fans (10% of the 1,800 capacity venue) in the room, plus the band, their crew, the band’s family, and venue staff. The tables were sold whole; I had to buy all 4 seats at the table, and then it was up to me to control who I felt comfortable sharing the other 3 seats with. The announcement also stated that masks would be required while not seated at the tables, bathrooms would be at 50% capacity, hand sanitizing stations would be available around the venue, and social distancing would be enforced at bar and merchandise lines.

After talking amongst my friends, we all agreed we would feel comfortable attending while taking our own extra precautions. We kept our masks on for the entire duration of the shows, we kept our tables to the same people we were sharing a hotel room with (plus one local Tulsa friend), and took our temperatures before each show. I ended up splitting a hotel room with two friends: one slept on the pull-out couch, the other and I shared a king size bed with extra pillows placed between our heads. We also opted to rent a car for the weekend to avoid taking shuttles and Ubers. Two days before our trip I got a precautionary COVID test and got my negative results 24 hours before leaving for Tulsa. We brought Clorox wipes and sanitized everything in our hotel room, plus our table and chairs at the shows, just as I sanitized everything in and around my seat on my flights. After the first show, I realized how much my voice was not used to be used for two hours straight. So, on Saturday, I decided not to sing along at all during the two shows, which I also realized doubled as a safety precaution I was taking for everyone else. You better believe I was still lip-synching behind my mask, though. Five days after returning to Nashville, I got another precautionary COVID test, again with negative results.

Before the first show on Friday night, my friends and I had the chance to visit the Philbrook Museum of Art. They currently have an exhibit featuring Native women artists. There were a lot of really beautiful, moving pieces, and this is coming from someone who really isn’t that into visual art. We also spent some time walking around the botanical gardens even thought it was ridiculously hot outside. Then we drove up the street and visited Ida Red, which has become a tradition for me when in Tulsa. I stocked up on Zotz candy, a few fun sodas, and bought a 1990s collage puzzle which, of course, includes a small image of Hanson.

After recently splitting from their record label and going independent, the old label saw the success of Hanson’s first independent album, Underneath, and decided to release a “best of” album. Hanson heard they were planning to do this, so in turn, they released their own, and released it first. Thus, 2005’s “The Best of Hanson: Live & Electric”, a recording from Hanson’s Underneath Tour show in Melbourne, Australia. When Hanson announced that the theme for the October streaming series would be Live & Electric: Revisited to honor the 15th anniversary of the album, I was underwhelmed. Hanson has released a lot of material over the past 23 years, and with a lot of material comes a lot of anniversaries, so there has been quite the fair share of anniversary shows recently. But, given the lack of any event in the year 2020, I was still excited to be able to see something.

I have to say though, after the first show on Friday night, I was pleasantly surprised, and the two shows on Saturday were even better. Throughout the course of the three concerts, not one song was performed that was released after 2005, and there were a total of 39 unique songs performed, which is far fewer repeated songs than an average group of shows on a normal tour. (Friday Setlist, Saturday Setlist 1, Saturday Setlist 2.) This meant leaving out a lot more recent favorites that have been, in my opinion, over-played as of late, and pulling out some album deep cuts that have become more elusive in Hanson’s recent set lists. We were also surprised with a brand new cover of The Isley Brother’s “It’s Your Thing”, which proved to be a perfect fit for these brothers, too.

I wasn’t entirely sure how I’d feel at that first show on Friday night after such a long (for me) time since my last show – 249 days. Part of me thought maybe I’d end up with happy tears, and I was kind of surprised when that didn’t happen. It felt so good to be there though. Hanson concerts have always felt like a second home to me, even if I’m in a brand new city. (Not a new city this time, more on that below.) There’s something about these shows where for those 2 hours, I have no worries… and it turns out that’s true even if there’s a pandemic literally all around me. My church started back up in person last month (social distanced and masks required). After that first Sunday back, a friend asked me if it was weird. I told her it was definitely not a normal church experience, but when there’s been a year of nothing being normal, weird doesn’t really hold much meaning or effect anymore, and I’d say that holds true for this set of concerts as well. The least-normal part of the show was, for once, not wanting to get closer to the stage, or not wanting to squeeze in and dance between some of my friends.

Overall, I’m glad I went despite the risks that came with it. I had a great time with my friends visiting a city we all love (which at this point feels like a home away from home), and experiencing the energy of live music after an eight-month drought was good for my soul. Some added benefits of the socially distanced set-up for the shows meant there was actually room to dance (I was able to actually salsa to “Can’t Stop” for the first time ever), I never once felt claustrophobic, and when there are three two-hour long concerts back-to-back in the span of 28 hours, it is essential to have a chair to sit in during the slow songs. TL;DR: “You’re all so civilized… it’s freaking me out.” – Taylor Hanson.

Fan Club EP Review: Continental Breakfast In Bed

Dressed In Brown Eyes

This song is “Give A Little” meets Van Morrison and it’s a combination I didn’t know I needed. It’s incredibly catchy, and the harmonica (thanks to John Fullbright) adds the perfect touch. If you listened to the Hanson Time Podcast Listening Party, you might recall Isaac saying this song makes him want to go to a barn dance party, and I promise I was thinking the exact same thing before he mentioned it. Whenever concerts are allowed again, I hope this track will come out of the fan club vault.

Favorite Lyric: “You know I can’t say no… Lord, tell me how to say no to this”… oh. My bad. That’s Hanson mashed with Hamilton. But it’s the lyric I cannot get out my head, real or not.

EP Ranking: 3rd place

Good Days

I don’t know if this song was written before or during the coronavirus lockdown, but it helps me remember to see the positive side of living during a global pandemic, which is taking the time to slow down and truly live moment to moment. There’s a lyric that says to “let the summer wash you like a wave”, and it’s almost onomatopoetic as the song itself sounds and feels like being washed by a wave. The keyboard sounds like steel drums to me, which makes me think of the “everything’s ire” vibe of the Caribbean, and I think that’s ultimately the vibe of this song as well.

Favorite Lyric: “Don’t let a moment pass you by.”

EP Ranking: 5th place

Miss You Like Crazy

This song reminds me of “MMMBop” in that it sounds cheesy at first, but after digging into the verses, you realize there is some depth after all. However, also like “MMMBop”, it’s not my favorite. (Go ahead, throw your stones.) It’s a fun power-pop love song, but I just can’t get into it all that much. It almost sounds more like a Tinted Windows song to me than a Hanson song. (See also: “Cut Right Through Me”.)

Favorite Lyric: “You knew my flaws and you still took me home.”

EP Ranking: 6th place

Everyday (Wedding Song)

As the name suggests, Isaac wrote this song for his wedding, and I’ve been able to hear it live twice: once in 2008, and again in 2018. I’m excited that we finally have a recording of it, as I love how simple and beautiful it is. As Zac joked in the Listening Party podcast, “some of the best things in the world are ooey gooey”, and this song is no exception. The strings are what make this song. Isaac mentioned on the podcast that they had a “proper quartet”, but I’m looking forward to the liner notes to see if he contributed to the cello at all.

Favorite Lyric: “Even through my worst of days you’ve been here for me.”

EP Ranking: 4th Place


I’ll be completely honest with you all, I’m not a fan of this song. Maybe it will grow on me over time and my opinion will “Change” (I can’t avoid making a pun), but when I listen to this, all I really hear is noise. I’ll have to take a look back on it when we get the written lyrics, because I’m having a hard time deciphering most of the verses. That said, the melody of this song is the one that has gotten stuck in my head the most this weekend. My favorite lyric below is really more out of default that it’s one of the few where I know what Zac is singing.

Favorite Lyric: “There’s no time like the present to be all that you can be… whatever that be.”

EP Ranking: 7th place

Begin Again

First, I just have to say I loved getting two Isaac leads on this EP. This song is a beautiful story of compromise, forgiveness, and fresh starts. At first listen, I took it from the stand point of a married couple. But then as I listened to it more, it started to remind me of the song “One” that Zac sang on The Wintry Mix tour and at Back To The Island 2020. While I also initially thought that song was about a marital relationship, on the island Zac said it was about the band (which, btw, he also said about the song “Change” in the listening party podcast). It obviously applies to any relationship, as all relationships cause friction, pain, and the need to forgive and begin again.

Favorite Lyric: “If I were wiser I could learn to talk without telling you what to think.”

EP Ranking: 2nd (but a very close 2nd!) place

All I Know

A handful of Hanson songs have literally left me breathless after my first listen, and this is one of them. While one of my favorite things about Hanson is their harmonies, the choice to have Taylor and his piano and nothing else was the perfect one for this song. Also… on the topic of the piano, can we talk about all those mini trills? Absolutely incredible.

On my second listen through of this song, I noticed that the specific way Taylor sings the words “all I know” sounded a lot to me like the way he sings the words “what I know” in “Young And Dumb”. And then I went down a rabbit trail, and I’m about to take you with me. I think these two songs have a very similar theme, and could be looked at as being the same person at two different stages in life.

First, in “Young and Dumb”, we have this guy who is looking at where he is in life, and he realizes with age and knowledge comes cynicism. He’s looking at a “poor reflection in the review mirror”, stuck in the past wishing he could go back to the naivety of being young and dumb. But now in “All I Know”, he’s saying “I’m done with living in the past”, he knows all the wisdom he’s acquired isn’t enough, and he’s ready to shake off that cynicism and keep trying, even if he keeps failing.

Favorite Lyric: “I’ve had enough, I’m tired of this kind of living. It’s not enough; something is bound to give in soon.”

EP Ranking: 1st place

Overall Impression

I guess I didn’t know that “Worth The Wait” off last year’s In Real Life was actually about Continental Breakfast In Bed. But jokes aside, After Zac’s motorcycle accident and then the coronavirus lockdown put a hold on Against The World and delayed the making of this year’s members’ EP, it was definitely worth the wait for such a high-quality result. Knowing that at least some of these songs were started during the album process last year, I have high hopes for what comes next.

Back To The Island 2020

January 30 – February 4, 2020

This year’s Back To The Island event wasn’t my first, but because it’s the first one where I’ve had this blog, I figured I’d start with a quick run-down of my two previous years. My mom and I had been talking for years about going to Ireland someday, so when BTTI was first announced I knew I wanted to cross that island off my list before re-visiting Jamaica (I had been on a mission trip in college back in ’04). I finally made it to Ireland in 2016, and then I spent 2017 making the payments to attend BTTI ’18.

At the time, I knew better than to say that ’18 would be my only BTTI, but financially I didn’t think I could commit to every year. So, I told myself that I’d be an every-other-year attendee. But then BTTI ’18 was The Year Of The Rain… all day, every day, except for the last day there. I sat in something in the greenhouse that caused a rash which got infected, and that’s when I knew I needed a do-over sooner than later. A surprisingly large tax refund waiting for me when I got home meant I was quickly signing up for BTTI ’19.

If there is one thing I love in this world just as much as (if not more than) Hanson, it’s being in and near the water: lake, pool, ocean, doesn’t matter; I’m a half-mermaid (the inside half, not the top half). So when you combine a week of being at the beautiful Caribbean Sea, my favorite band, and some of my closest friends, I couldn’t ask for a better vacation. There was even a moment last year on the last night when I saw Zac walking through the resort and I wondered why he was there… because while having so much fun with everything else, I had completely forgotten we still had one more Hanson show. So, here I am, an every-year attendee and not the every-other-year I thought I’d be, as long as am I’m still financially able.

And so, onto 2020…

The Events

This year, Hanson took out any and all daytime activities with the band other than photos, where previously we had tie dye, a Q&A session, a trip to Dunn’s River Falls, etc. I honestly wasn’t upset about this, because like I said before, I love spending time in the water, and the day time activities cut into that time. This year we had activities after the shows: Smash Brothers with Zac, Team Trivia with Isaac, and Island Prom with Taylor.

Last year, Zac brought out the Nintendo games as an unofficial event, and I hopped in line and played a couple rounds of Mario Kart against him and a couple other fans. I’m guessing he chose Smash Brothers instead this year because it meant more fans at a time could play which meant more chances to play for everyone. I sat this one out this year because I know nothing about the game, and because I had already had the chance to play last year. This worked in my favor because I ran into Isaac and was able to put in a request for his solo show (more on that later).

What was advertised as Team Trivia turned out to be Family Feud, which honestly I preferred as trivia is not my strong suit. My team never got called up though, but I do like that we signed up in teams this year over waiting for Isaac to call up random numbers like he did in 2018 (especially when half the numbers weren’t even present). I’ll be honest here, watching Isaac host Family Feud was getting difficult as it was the 3rd night in a row of being up past 2am, but Other Brother Mac saved the day when he showed up in character as German professor Ichland Vonhammerstein. Isaac might have my favorite voice in the Hanson family, and while I mean it when I say I could listen to him read a phone book, that doesn’t mean I want to do it at 2:00 in the morning.

Taylor has been DJ-ing dance parties at BTTI, Hanson Day, and various tour stops for several years now, so this year’s party at BTTI was nothing out of the ordinary. However, it was advertised as “Prom Night Dance Party” which we all quickly shortened to Island Prom. There were never any details announced along with it, so there was a lot of chatter as to whether or not we should actually bring real prom dresses. I didn’t want to take time finding a thrift shop dress or take up the packing room, so I just wore a casual dress I had packed as a potential photo outfit. But Taylor showed up in all white with a suit jacket, and a fan even gave him a Prom King sash with a pineapple corsage. 100+ points to whatever Hogwarts house that fan belongs to.

Other than the occasional ’90s slow jam, there wasn’t much else that made this dance party stand out from the others, except when Taylor decided to play “Lonely Boy” off their pre-fame album Boomerang from 1992. I still don’t understand that decision, but I’m not mad about it. I ended up spending a good portion of the night talking to Isaac and Mac between two palm trees, and had the chance to ask Zac a quick follow-up question from his solo set (more on that later, too).

The Music

Back To The Island consists of three full Hanson shows, a solo show from each brother, and a concert featuring two guests artists. This year’s guests were Joshua + The Holy Rollers (with frontman Other Brother Mac) and MILCK. I already knew I liked JTHR from their show at Hop Jam 2019 and from opening on the Wintry Mix tour, but I had never heard of MILCK until this announcement. I looked her up on Spotify and fell in love. It’s rare for me to like a female artist (to be honest, I think a lot of women try too hard), but she absolutely blew me away. Both guests did a fantastic job during their sets, but the highlight was when MILCK brought Hanson back out to be her backup vocalists for her song “A Little Peace”.

This was the first year (at least, the first one I attended) where Hanson did not ask us to vote on themes before the event, and I’m glad we didn’t. It was nice going into things not knowing what they’d play. But, then they came out on night one and told us they were going to play most of the songs from the Middle of Everywhere Greatest Hits album. To be honest, I was a little disappointed because these are the songs they typically play, and on the island we all expect things to be out of the ordinary with more rare songs. But, they absolutely killed the performance, and it was great to hear songs like “Give a Little” and “Great Divide” which had been put on the back burner lately.

The second full-band show was something Hanson has never done before: a night of ballads only (save for a few upbeat encore songs). I wasn’t sure how to feel about this, but it ended up being a unique set, and I’m glad I got to experience it. I spent this show sitting in a chair in the back looking up at the stars, and it was a night I’ll never forget. They played “More Than Anything” with a full band for the first time ever, and I will never be upset about hearing “Breaktown” live. (Hopefully this means it will continue to have a home in set lists outside of String Theory). The highlight of the night, I think for everyone, was Hanson’s perfect cover of “Change in My Life”. I’m always impressed by the band’s harmonies, but I think this time I was more impressed by the fact that the crowd stayed quiet so we could actually hear the harmonies.

Between the Middle of Everywhere Tour, random one-off shows with similar sets, String Theory, and themed sets at past Hanson Days and BTTIs, the last show at this year’s BTTI was the first time in years that I literally had absolutely no idea what songs they would play. The set list was pretty much all over the place, and I think they may have thrown in a heavy dose of songs from This Time Around in preparation for the 20th anniversary acoustic show in Tulsa later this year. They played a lot of my favorite songs to rock out to, with the highlights being “Somebody That Wants To Love You”, “Tearing It Down”, and “The Ugly Truth”.

The solo shows are, in my opinion, what makes BTTI stand out from any other Hanson event, as this is the only place where these happen. Zac went first this year and he pulled out quite a few new songs. They were all played on The Wintry Mix Tour, so they weren’t brand new, but still that means I had only heard each of them a few times. The thing about the solo shows is they tend to give a little more insight to the songs meanings than they do at a regular show. Zac explained that “One” was inspired by the band not giving up when they fight, but rather still seeing the beauty in what they’re doing. He also explained that “Annalie” isn’t about a girl, but about what the name Annalie means: a bounty of God’s grace. I hope this makes the final cut for Against The World so I can do a deep dive on the lyrics now that we know the meaning.

As a side note, when Zac was talking about the meaning of names, a girl in the crowd yelled out that naming kids sucks, and Zac joked that he had two pieces of advice for that. He said one would come later, but the second was “don’t have kids”. I tried asking him during Island Prom what his other piece of advice was (although I don’t anticipate naming a child any time soon), and all he said was “that will be revealed soon”. Whatever that means, only time will tell.

Isaac’s solo set was my favorite this year. I ran into him during Nintendo with Zac and requested “Grace Unknown”. His response was “ooh,” (Not quite ET-ooh), I’ll have to think on that.” The day of his solo show, I was in the pool when he walked by on the way to their backstage area. He asked the general area if there were any requests, and once again I yelled out “Grace Unknown”. Mac was following behind him, and while he may have just been there to hang out with his brother, I think maybe he was there to practice keys for the song because of my request the night before. During his set, Isaac said there was more than one request for it, and later during Island Prom I told him I was both someones, but apparently there were more than just the two requests for it. The other highlights of Isaac’s set were “I Don’t Know”, which he hadn’t played in twenty years, a flawless cover of “Ain’t No Sunshine”, and a brand new song that he had never even played outside of his house before called “Your Eyes”.

We had photos with the band before Taylor’s solo show, and it wasn’t until last minute that I knew what I wanted to say to them this year. It was something I had been hesitant to say for some time because it always seemed borderline too personal, but I feel they’ve been more outspoken about it lately so I decided to go for it. I know others will disagree with me here, but I told them I appreciate that they’re not afraid to allude to their faith in their music, and told them those are the songs that speak to me the most.

Maybe it was just coincidence, but I can’t help but wonder if that influenced some of Taylor’s set list choices. He opened with “Every Word I Say”, the one song (well, prior to “Worth The Wait”) that, in the past, they have blatantly said was about God, although this time he said the song has “a lot of different meanings” and that you can “take away whichever one you want”. And then, mid-way through the set (between “When You’re Gone” and “Be My Own”, both of which have subtle religious nods), he said:

“Music is awesome isn’t it? I just don’t think you can believe… sorry anybody that doesn’t believe there’s a god, but if there’s not a god, I don’t know what that is (gesturing to the ocean) or I don’t know what this is (gesturing to the crowd and stage)… songs or music, I don’t mean my songs, just…the idea that we can be as screwed up and as mean and as stupid as we are and we still get music is phenomenal to me. It’s like a parent that just keeps giving you money when they shouldn’t. I keep wasting it, but Dad loves us.”

I know Hanson at times has gotten a lot of flack from fans about their music being too religious at times, but as Taylor said during my photo, “you can’t hide who you are”, and love it or hate it, the band wouldn’t be the same if they were trying to be something other than themselves. I guess you could say that with “three chords and the truth, we can make a song. We don’t need much, ’cause we’re here tonight. It could be the best of times.” Here’s to making more of the best of times at the next stop along this musical ride.

Wintry Mix Tour: Austin, Dallas, New Orleans

December 6-11, 2019

Back in May, Hanson announced they were going to record two new albums this year, (for release in 2020 and 2021), and they hinted at the idea of debuting some of the new music this year. When all these one-off casino shows started popping up this summer and fall, with no new music in sight, I started to think the plan of previewing these new songs fell through.

But then, finally! In mid-September, Hanson announced a tour, aptly named The Wintry Mix Tour, that would include old favorites, Christmas songs, and NEW MUSIC! A quick look at the tour dates, and the decision of which stops I’d go to was easily made: I had never been to Austin, it fell on a weekend, I could catch a ride from there to Dallas and then down to New Orleans with a friend, and New Orleans has some of the best food in the world. I also knew I wanted to avoid anything in the north for fear that flights (or worse, shows) would be cancelled due to, well, actual wintry mixes.

The Travel

One of the perks of choosing Austin was that I got to catch up with a good friend who moved to Texas a couple years ago. We met for BBQ at Salt Lick, and the food was good, but our conversation was nourishing. She’s one of those friends where we can pick back up right where we left off a month ago. I’m already looking forward to my next trip to Austin for some more one-on-one Alison time.

After lunch, we went to see the state capitol building. As one should expect from Texas, it’s the biggest capitol in the country, including the nation’s capitol building. The grounds were beautiful, the temperature outside was perfect, and the views inside were dizzying. A break for caffeine was next on our list, with the plan to walk around South Congress for some shopping after. However, we had a so-tired-you-spit-your-coffee-out-laughing mishap, and ended up back in the hotel room to change clothes, and at that point decided to take the rest of the day slow.

If you follow me or any of my friends on social media, you might have seen that Yelena broke her wrist four hours before her flight to Austin. Thankfully the doctor gave her the go-ahead to continue the trip, but it’s a shame it didn’t happen early enough for her to buy a Zaccidents Happen sling for tour. Now that she was one-handed, she had to leave a few things back home since she wouldn’t be able to carry everything by herself through the airport. This meant we needed a quick run to WalMart while in Austin, and sure enough they were playing Hanson over the speakers.

We were really only in Dallas long enough to get in line and see the show, and we decided to show up right at show time in New Orleans so we could get some good cajun food. We went to The Gumbo Shop where I had a plate of shrimp creole, jambalaya, and my favorite, crawfish etouffee. We also, of course, had some post-show beignets from Cafe Du Mondte, and then I got a 2 hour nap before catching a 4am Uber to the airport, then it was back in Nashville and straight to work.

The Music

Sunday in Austin was the first show day, and I had successfully avoided spoilers. The first song up was “Finally, It’s Christmas”, which was a fitting start to a winter tour. The second song was a brand new one, “Don’t Ever Change” and I really hope this makes it to an album. It was catchy, but I couldn’t quite make out all the lyrics, but the ones I picked up on sound like this song will be quoted for years.

The fourth song in the set was one that in the past decade-ish has been reserved for encores, so there was some sort of Pavlovian “wait, are we already done?” response that was quite confusing. But the change-up was refreshing, and then we were back into some more Christmas tunes.

The acoustic set included new songs “Annalie”, reminiscent of Simon & Garfunkel’s “Cecilia”, and “One”, a beautiful Zac piano ballad about sticking up for your partner and staying on the same side of the battle. (Or at least, that was my interpretation after one listen without being able to go back and digest the lyrics.) In Dallas and New Orleans, we had a different Zac solo called “Better Man”, which I enjoyed, but I think I liked “One” better. Only time will tell.

Without giving away the whole set list, or details of all the new songs, let me just say this: these shows were a blast, it was so great to have the mix of old, new, and Christmas, and the new songs have me anxiously awaiting Against The World and Black Mesa, and I’ll be really sad if none of these songs make the final cut.

The Memories

I’ve probably said this before, but while the music and the shows are what takes me on these trips, what I bring back with me is all the special little moments along the way that I’ll never forget. Whether laughing at the ridiculous drunk girl next to me, a conversation with the band about a song that got me through a tough time, or those post-show beignets with a side of serendipity, a part of the open road will always stay in my heart.